PROFESSIONAL AFFILIATIONS
Member | 2023 Stage Directors and Choreographers Society
Member | 2019 American Guild of Musical Artists
Member | 2016 Actor’s Equity Association
Board Member | 2025 Motion State Arts
SELECTED CREDITS
DIRECTING | OPERA
This Love Unbound: works by Benjamin Britten, John Harbison, & Caroline Shaw | Emmanuel Music | 2023
Svadba | Boston Lyric Opera | 2021
Award for best Artistic Creation in Opera America’s 2023 Digital Excellence in Opera Awards
CHOREOGRAPHY | OPERA
Dido's Ghost | dir. Rebecca Miller Kratzer | Emmanuel Music + MIT | 2025
Carousel | dir. Anne Bogart | Boston Lyric Opera | 2025
Daniel Bernard Roumain's The Telling | dir. Dana Greenfield | FirstWorks Providence | 2021
Norma | dir. Stephanie Havey | Boston Lyric Opera | 2020
The Handmaid's Tale | dir. Anne Bogart | Boston Lyric Opera | 2019
CHOREOGRAPHY + INTIMACY DIRECTION | THEATER
The Winter's Tale | dir. Ben Steinfeld | Trinity Repertory Company | 2026
The Roommate | dir. Curt Columbus | Trinity Repertory Company | 2026
Machinal | dir. Kym Moore + Richard Waterhouse | Theatre Arts & Performance Studies, Brown University | 2025
The Widow's Bay | dir. Sam Donovan | Apple TV | 2025
A Mother | dir. Maria Mileaf | The Orchard Project + Baryshnikov Arts | 2025
Enough to Let the Light In | dir. Kimberly Senior | Contemporary American Theater Festival | 2024
Ironbound | dir. Rosalyn Tavarez | Brown/Trinity Rep MFA Programs | 2024
Dr. Jekyll and Mr. Hyde | dir. Melia Bensussen | Hartford Stage | 2023
Simona's Search | dir. Melia Bensussen | Hartford Stage | 2024
Motherfucker with a Hat | dir. Jacqueline Davis | Burbage Theatre Company | 2024
Fences | dir. Christopher Windom | Trinity Repertory Company | 2024
Becky Nurse of Salem | dir. Curt Columbus | Trinity Repertory Company | 2023
Pride and Prejudice | dir. Tatyana-Marie Carlo | Hartford Stage | 2023
The Inferior Sex | dir. Tatyana-Marie Carlo | Trinity Repertory Company | 2023
A Christmas Carol | dir. Aileen McGroddy | Trinity Repertory Company | 2022
Dark Room | dir. Olivia Scanlon | Bridge Repertory Theater | 2018
Fuente Ovejuna | dir. Mark Valdez | Trinity Rep Company | 2017
A Christmas Carol | dir. Tyler Dobrowsky | Trinity Rep Company | 2015
Julius Caesar | dir. Olivia Scanlon | Bridge Repertory Theater | 2015
A Flea in Her Ear | dir. Tyler Doborwsky | Trinity Repertory Company | 2015
Middletown | dir. Curt Columbus | Trinity Repertory Company | 2015
Forgetting Curve | dir. Kimberly Eaton | Bridge Repertory Theater | 2015
Rosencrantz and Gildenstern Are Dead | dir. Josh Short | Wilbury Theater Group | 2015
Cabaret | dir. Tom Gleadow | The Wilbury Group | 2014
In the Next Room | dir. Flordelino Lagundino | Brown/Trinity Rep MFA Programs | 2014
Stone Cold Dead Serious | dir. Flordelino Lagundino | Brown/Trinity Rep MFA Programs | 2014
Veronica Meadows | dir. Michael Perlman | Trinity Repertory Company | 2014
Sweeney Todd | dir. Curt Columbus | Theatre Arts & Performance Studies, Brown University | 2014
Social Creatures | dir. Curt Columbus | Trinity Repertory Company | 2013
Rhinoceros | dir. Heidi Handelsman | Brown/Trinity Rep MFA Programs | 2013
A Christmas Carol | dir. Tyler Dobrowsky | Trinity Repertory Company | 2012 + 2013
Tango | dir. Shana Gozansky | Brown/Trinity Rep MFA Programs | 2012
The Completely Fictional - Utterly True - Final Strange Tale of Edgar Allan Poe | dir. Curt Columbus | Trinity Rep Company | 2011
PERFORMANCE | THEATRE & OPERA
ALICE The Inferior Sex | dir. Tatyana-Marie Carlo | Trinity Repertory Company | 2023
ORLANDO As You Like It | dir. Tony Estrella | The Gamm Theatre | 2018
JEANNE Jeanne d'Arc au bûcher | dir. Gil Rose | 2018
ENSEMBLE Oklahoma! | dir. Richard and Sharon Jenkins | Trinity Rep Company | 2016
SALOMÉ Salomé | dir. Olivia Scanlon | Bridge Repertory Theater | 2015
THE SHADOW Vacancy | dir. Alexander Platt | Elemental Theatre Collective | 2012
ENSEMBLE Wild Porcelain | dir. Stephen Buescher | Workhorse Theatre | 2008
DANCE CHOREOGRAPHIES
Two | created and performed in collaboration with cellist/composer Adrienne Taylor | Motion State Dance Festival | Waterfire Arts Center | 2024 | Premiered at the Bates Dance Festival | 2022
Contact Improvisation in performance with Sarah Konner and Bradley Teal Ellis | Transmission: A Gala Performance honoring the lineage of Nancy Stark Smith, Steve Paxton, and Contact Improvisation | The Workroom | 2024
A few things on the mind | co-created for Betsy Miller's American/Woman Project | Betsy Miller Dance Project and Motion State Arts | Waterfire Arts Center | 2023 | Premiered at MAGMA Gloucester | 2018
Mother Poet | solo created for Motion State Arts fundraiser | Dye House | 2022
Ice sounds | solo performed for Small Moves, Big Picture at Motion State Arts | Waterfire Arts Center | 2022
SetGo in Studio: spontaneous choreographies | Interlochen Arts Academy | 2020
In Motion: a long-form improvisation score | Lawrence University Dance Series presents SetGo | Lawrence University | 2020
a solo score | A Moment’s Notice Salon | Boston Conservatory at Berklee | 2019
An eagle, a snake, and a ragdoll barred their teeth | commissioned by Endicott College Dance Department | 2019
Band | Co-created and performed with Gabriel Forestieri | Premiered at Khambatta Dance Company Winter Mini-Fest | 2019
Map | choreographic commission by Khambatta Dance Company | Premiered at KDC Winter Mini-Fest | 2019
Chapter One: The Socks. A love story or, at least, a genuine tale of self-seduction | choreographic commission by Urbanity Dance | Tsai BU Performing Arts Center | 2019
the shuttle is what moves | created and performed in collaboration with Heidi Henderson, Sarah Konner, Cathy Nicoli, Lila Hurwitz, and Nora Rabins | Untitled Scores: Doppelgänger Dance Collective | Brown University | 2018
Study of Three: Contact Improvisation in performance with Aaron Brandes, Sarah Konner, and Bradley Teal Ellis | Untitled Scores: Doppelgänger Dance Collective | Brown University | 2018
Contact Improvisation in performance with Olivier Besson | A Moment’s Notice Salon | Boston Conservatory at Berklee | 2018
SetGo in Studio: spontaneous choreographies | Interlochen Arts Academy | 2018
Contact Improvisation in performance with Olivier Besson | A Moment’s Notice Salon | Boston Conservatory at Berklee | 2017
Stargazing | commissioned for The Hatchery at the School for Contemporary Dance and Thought | 2017
In Motion: an evening of spontaneous choreographies with SetGo Ensemble | FITT Artists in Residence | Brown Arts Initiative at Brown University | 2017
The Decameron: ten new works | Lead artist in ten day, site-responsive performance project | Karl Gillick, Artistic Director | Outokumpu, Finland | 2017
Contact Improvisation in performance with Aaron Brandes & Gabriel Forestieri | HUT XII: School for Contemporary Dance & Thought | 2017
Spontaneous Choreographies: Resonant Action | Curated by Chris Aiken | School for Contemporary Dance & Thought | 2017
Contact Improvisation duet with Tal Shibi | Earthdance July 4th Jam Performance | 2016
You have to find something to tie a knot with and hold on | a solo co-created with Andy Russ | Tiny Shorts at Elm City Dance Collective | 2015
Fête | commissioned by Salve Regina University Dance Department | 2014
Tie It Off | She Moves: a dance concert to benefit the Women’s Center of Rhode Island | Ballet Rhode Island | 2015 | premiered at the Moving Arts Lab at Earthdance | 2014
improv/in/sight | Open Rehearsals Series Rhode Island School of Design Museum | 2014
DANCE IN PERFORMANCE
Elizabeth IV | previously titled The Queen's Dream, Elizabeth III, and Elizabeth III (re-excerpt) by Heidi Henderson | commissioned by Doppelgänger Dance Collective | 2017 - 2026
Jeanne & Elizabeth | Doppelgänger Dance Collective and Ensemble Warhol in association with Fort Point Theatre Channel | 2018
Oracles 1 & 2 | by Paul Singh | commissioned by Doppelgänger Dance Collective
The Trail We Left Behind | by Kellie Ann Lynch | Commissioned by Doppelgänger Dance Collective | Produced by The Providence Downtown Parks Conservancy for Kennedy Plaza | 2016 | presented again in PVDFest | 2017
re-source | Christian Swenson & Friends Perform | AS220 Black Box | 2017
Underwear, Nowhere | by Alissa Cardone | commissioned by Doppelgänger Dance Collective | 2017
Echo & Narcissus | by Andy Russ | a dance film commissioned by Doppelgänger Dance Collective | 2017
The Zealous Laborers | by Lorraine Chapman/David Parker and The Bang Group | Canterbury Shaker Village | 2016
Session One | by Lorraine Chapman | Pentacle Presents The Gallery Boston & Guests | The Dance Complex | 2016
The Two Body Problem | by Sydney Skybetter | commissioned by Doppelgänger Dance Collective | 2015
Empty Seats | by B.J. Sullivan | commissioned by Doppelgänger Dance Collective | 2015
Pretend this title is invisible | by Heidi Henderson | commissioned by Doppelgänger Dance Collective | 2015
Ordinary Differences | by Betsy Miller | Movement Exchange | 2015
Zoologic | by Jamie Jewett and Lostwax Productions | Firstworks | 2015
Percolate | by Ali Kenner-Brodsky | The Dance Complex | 2014
a+b | by Ali Kenner-Brodsky & Betsy Miller | AS220 Black Box | 2014
In Full Flight | by Heather Ahern | St. Martin's Church Providence | 2014
Angels in the Attic | by Anne-Alex Packard | ADLI Winter Mini-Fest at Brown University | 2013
Hit Her Again if You Have the Strength | by Brandon Shaw | Fall Dance Concert at Brown University | 2013
Return: an evening | by Heather Ahern and Aerplaye Dance | RISD Auditorium | 2013
Step Touch | by Heidi Henderson | Dance Area Code 401 | Rhode Island College | 2013
The Sleeping Beauty | RI Ballet - Festival Ballet Providence | VETS Auditorium | 2013
a+b | by Ali Kenner-Brodsky & Betsy Miller | Bowab Studio Theatre at Providence College | 2013
Jehovah's Watch | by Laura Bennett | ADLI Winter Mini-Fest at Brown University | 2013
Blinking | by Jamie Jewett and Lostwax Productions | FirstWorks | 2010
Andante | by Laura Muñoz and Pequeño Teatro de Danza | Perishable Theatre - AS220 Black Box | 2009